There were days that even Judy had the Blues.
But there are days when all lost souls do...

Saturday, February 10, 2007

Like Antigone


Like Antigone, I have been buried here alive,
perhaps for the same kind of dismal daunting reasons
(those bounden days-of-evil blinding reasons),
except of course I found I had
no brother to bury or to kill
or to glorify or be killed by,

but wrestled with myself alone as if I were perchance
my own Polynices or Eteocles1
in some sordid fratricidal jest
or jeering ingrown deadly-soft incest.
Such dreamt excess is not quite death, I know,
except that the extremes imposed require
so much of me that nothing else gets done.

I've done my absurd best so far, that's certain,
in leering violation of my itching awkward self,
veering wildly like some wayward waylaid ship
encircling while at anchor who-the-hell-knows-what,
but surely nothing more in sum than clumsy circles,
a scratch at night performed by four bored fingers and a thumb.

I have been buried long and deep,
gone numb as if asleep inside this winding fate,
like Daddy's Girl interred in earth and pride and hate,
and have not seen the light of day this clear and fine
in waking dreams or years of nights—see how it plays and shines!
How dare I feel it might unbind these rigid lines of destiny, and yet
How dare I not? I can but look and see it Gone, and yet I dream
I could find my way above and seize wild-hearted chance again!

rcs.

10th draft: 11/18/07
©2000 Ronald C. Southern

[Notes: Polynices and Eteocles, sons of Oedipus, killed each other in battle. Eteocles had broken their agreement about governing Thebes alternately. Their sister Antigone defied her uncle Creon and performed the funeral rites for Polynices. Creon then buried her alive in the family tomb, where she hung herself.]

Wednesday, February 07, 2007

A Woman Leaned Over My Corpse


A woman leaned over my corpse
While it was blinking back the tears
And she pointed her knife at that disease
And strutted her stuff without making a move
And blood went everywhere.

She sang an artful lied and sorted out with ease
Every shortcoming and every sordid part of me
While time and the light of day ran wild through my muted veins
And the girl in me was piqued and those seductive hips began to move
And everything began to leak...


rcs.

4th draft: 11/19/03
©2003 Ronald C. Southern

Monday, February 05, 2007

Nurse Corday


At the costume ball
A well-constructed Frenchman dressed for his bath
Was feeling fey and very down at heart.
When he saw a lady come in with a confident air and a nice round pair,
He felt himself stirring the water and sank toward the drain with a sigh.

When he asked for her name and she replied
That she answered to "Nurse Corday",
He knew that she'd come to alleviate his pain
And said he might do a double back flip in the nude
Or kiss her, using plenty of tongue.

"You'd better not do either!" Charlotte said,
"'Cause I'll cut off whatever you got!"
He'd been pressing himself crudely against her
As any wet Frenchman might do when a lady's almost in his bath, but now
He backpedaled fast and covered himself and thought about the guillotine.

He assured her that he liked her very much,
And that he didn't want to be rude,
But he'd always thought she was gay.
Then she stabbed him through the armpit with a fork
And held him there like a brisket while she used a knife on his heart.

rcs.

4th draft: 03/18/04
©Ronald C. Southern

Sunday, February 04, 2007

In The Dark


Now you've traveled along alone so far,
no heartfelt human voice to hear except your own
or else some dim recall caught briefly on the march
where some spoke soft and some with starch,
forestalling for a time this dogged trouble with your heart.

The cops, the doctors, must have known or sensed
some awful bloody offness in the memories you've made
of voices that cry behind you in past tense
or whisper faintly from inside—
how must they have despised all that your speech must hide!

You speak to no one in the end,
hearing women's voices weakly in your head
that used to spark the hardness even of your self-brazed heart.
You've traveled alone a long time now and far,
no semblance of a voice beside you in the dark,
unless you count the chaos, and the chaos seldom counts.

Count the stars instead, so far away, apart,
and what a long way now would it not go
toward being home at last
if only someone in the dark had said—but what? Said what?
Time is so far along and all except your art is at heart's end
at last, where all that human voices ever said is soon forgot.

rcs.

8th draft: 09/27/04
©2001 Ronald C. Southern

Saturday, February 03, 2007

Dear Emily Dickinson



Emily Dickinson (1830-1886)



Was Emily an ugly girl or did she have bad skin?
Was she flat instead of curved? Was she far too slim?
Were there too many splendid belles come out
Those cold New England antebellum years
And she remained—because a little plain?
It makes me sick that tough-sweet spirit had to grope among
Such stiff-necked pious dullards for fifty-six notched years.

Did she fail to learn the dance? Did she make the boys feel dim?
Did she love—just once—too much, then not again—
Or did she always love exactly what she loved—
But in her dreams and books?
Why couldn't she be happy? Why couldn't she be wed?
Why does her photo draw me in as if I think that
Somewhere she's alive and I should hurry up and write
And tell her—I'm sorry, I'm so sorry, I wasn't there for you!

Dear Emily, my dear—maybe I'm just sleepy this Monday 2 A.M.
Maybe I've gone crazy that I would weep for you.
You've been dead—though you live here still—
More than a hundred years
And I've only been about half-here for this tired fifty-two.
I'm near the age now when you died and I must say I've felt
That treadmill in my brain, that maelstrom in my dreams,
And wonder which did you—
Did you fail to cling or did you just let go?

rcs.

8th draft: 02/21/03
©2000 Ronald C. Southern


Another photo purported to be Emily.

Friday, February 02, 2007

The Old Woman's Estate


One shady afternoon not long after she'd passed,
The caretaker tidied up the careless things
That laid about the dusty house.
He felt bereft and curiously breathless, embalmed almost,
In the dry deathless residue that curious spinster sculptress left.

Nothing she'd left behind was his, or could be,
Except his vagrant thoughts,
As he recalled beneath her favorite white oak tree
How like a leaf she'd shake beneath the covers on stormy nights.

Behind the house, he stepped into
The artist's still over-crowded studio—
Inactive now, but still the source of all the dust—and thought,
"Love has a thousand foolish faces in the aftermath of life.
Her life is gone now, yet only life is left.

Of her, there is only her young/old gaze staring out
(From years of photographs, I mean)
Above that sweet and poisoned mouth
That would so seldom laugh—
The stern and somber specter of my soft and secret wife."

current draft: 02/02/07
©2003 Ronald C. Southern



Sunday, January 28, 2007

Conversation Piece


(Saturday Perversions)

There she was again, his new friend whom he barely ever saw,
disheveled but enchanting in shoulder-length gray-golden hair.
She wore that Saturday a crushed-velour green blouse atop a
wrinkled brown-suede mini-skirt she'd owned a bit too long.

On her right shoulder reposed a wide-winged dragonfly-brooch
with Griffin's claws and lovely human female face and breasts—
“A cheap and vulgar replica of an Art Nouveau Lalique!”
she'd laughed lightly earlier that day. He'd shrugged and smiled.
He knew his English Lit; he did not know Lalique.

Lalique brooch

They'd both been taking far too long to drink a cup of coffee each
in that dim-lit roach-infested faculty lounge downstairs.
Was it the coffee-colored stains and bugs
or the buzz and flicker of fluorescent lights
or his own loud knocking knees and nerves
that finally drove them back to work?

Half-hidden but upright behind her old oak desk that night,
she sat at ease, her bare and bouncy fanning feet
dancing to some happy unheard jazzy beat,
so trim, so leggy, so proud of it, and seeming very pleased!
Was she waiting just for him like that? No, she always sat that way.

She was dawdling in her office in the History Department,
looking pleased as any well-fed gray catbird might look
who'd found a round and rapt canary all aflutter
right there amid her usual shifting clutter—

all her red-inked scattered papers and splayed laid-open books
and bite-marked apple cores. He glanced aside
and took a breath because he felt her mocking eyes
had landed right on him. He sucked his stomach in.

He made a show of spotting something odd or out of place,
then stopped outside her door and, standing on one leg, leaned in.
“You need to clean that cobwebbed cow skull out
with a high-pressure hose!” he grinned, pointing to her
newly-acquired but musty relic of the old wild desert west.
He'd recognized it instantly as the perfect conversation piece.

“Why, do you have one I can use?” she laughed.
“This college campus is full of them,” he told her,
meaning it pragmatically—but hearing how
uproariously she laughed, he saw the joke.


“I need a high-pressure hose, huh?” she smirked.
“I used to have one myself,” he said,
“but I've gotten a little too old for it now.”
(Now why, he winced, did he say that?)

“That's too bad, I guess. But how does one do that?
How does it feel, I mean? Oh, God, I can't believe I asked you that!”
“It's all right,” he shrugged. “All right for you to ask, I mean.
IT hasn't felt quite right for about two years, I guess.”

“Does it hurt?” she asked. Her question sounded serious,
but her face still looked amused.
“Not exactly.”
“What, exactly?”

“Well, it just feels less!” he squirmed. “It takes
a great deal of real and imaginary stimulation,
not to get its attention precisely, but just to feel
some sensation that is precise instead of general!”

“What can you do about it?”
“Suffer. Or go to doctors and let them make me suffer.
“I've been waiting for a woman again, really,
to see if she would also make me suffer.”

“That long?”
He stared at the sightless cow skull and nodded.
“Women always make you suffer,” she kidded gently.
“Yeah, I know. You're doing it now.”
“I don't mean to.”
“Women never do.”

“And men?”
“Men always mean to make women suffer,”
he volunteered. “As far as I've been able to tell.”

“Is that true?” He was surprised to hear her ask.
“They're getting back at their mothers, perhaps.
And, of course, I guess you know men think that it's more
difficult for them to make women suffer than—”

“Really?” she interrupted. He'd never heard her sound so cold.
Her face, he thought, had clouded up as if she now had doubts
concerning not only his moral legitimacy,
but his entire liberal-arts education!
“But only in that purest sense!” he hastily added.

“What sense is that?” she stared. “You've got me losing track.”
He was losing more than that. He wiped his palm across his brow
and wondered why with every passing year every square inch
of his skin except for his high forehead got drier and drier.

“After they're married a while,” he persevered, “men hardly
seem to suffer about women at all; they tune them out, I think.
I meant it in the sense of love-in-bloom, of lovers
who are still new to love and to one another's ways.
I think I mean that men, just barely, but do,
know how stupid they are at this kind of game.
You know, while everyone's still doing all
that nervous parrying and lame ballet?

“Like we do?” she laughed, the light returning to her face.
“Are you trying to make me suffer more?” he beamed back.
“Not at all!” she grinned. That was when he licked his lips.
“I think you'd best be careful, though,” she said,
“about too much fencing and ballet!”

“Like too much horseplay, you think?” he grinned.
“All in good spirits until one day
the balance isn't right
and the play becomes a fight?”

Quietly her leather-covered chair rolled back and swiveled left—
was she showing off her underwire-uplifted breasts
or giving him the softer view of her slightly crooked nose
or was she staring into space or at that damn dead steer again?
Just then, her short brown skirt rode up her legs
and showed their come-here length and shape!

Thus, when her eyes found his again, she fixed and pinned him.
“In this sense,” she said, “the party game that we've begun
now becomes—a what? A love affair? A sex appeal?
A system of rewards and punishments that's fair? Who cares?!”

Pinned Butterfly
He looked at her with some distress as if he'd hoped she would.
“I like to think I care,” he sighed.
“You can have a spanking now,” she teased,
“or you can wait and fidget until you're tense enough to ask!”

“I thought—” he'd just begun when, vaguely like a spider, on long
slim legs she rose, went round, and then on silent feet moved in.
“Why don't I close the door?” she rasped.
“There. Now you can turn and face it.
Just close your eyes; don't think about your feelings or that lost
high-pressure hose and we'll just let that unwashed cow skull watch!”

“Let me think about it first!” he stalled.
“Oh, please, don't think!” she cried impatiently
and kicked his heels apart.

“I so often don't know what to do at first,”
he panted with his eyes completely closed,
“but I think you'll find that, given time,
I'm good at making things up!”

“I've noticed that!” she grinned and nibbled at his ear,
“but now you're here, don't talk so much!”
She shrewdly brushed the front of her skirt
against the back of his pants.

She reached around in front of him
while he stood still and stiff
and thought about how the door
was probably still unlocked.

rcs.

12th draft: 08/27/04
©2001 Ronald C. Southern



Judy Garland's Blues


Why was Judy Garland sad?
Did she have everything—but not love?
What drove Judy Garland mad,
Or do I give her too much credit?

Was she just privately unlucky, after all the public luck?
Did she have two armfuls of nothing in the worn valises
She dragged into another mansion of expenses, pills, and airs
Amid lost things never declared, forever beyond her reach?

Did she have everything—but not love?
Was she too often left behind as a child
Or was she poisoned in the vein
As by too many drinks or a rattlesnake...

Twisted by some familial demon spirit she became
That Voodoo spirit, the reel and spin, the deadly living blues,
Forever frightened—no matter her age or image or magic—
Of what to choose and what to lose, out of control to the end?

Did she, like you, like me, have everything—
But could not feel the love that others gave
Or stay as brave as needed every moment?

rcs.

Current draft: 4/12/2010
3rd draft: 04/26/05
©2004 Ronald C. Southern br/>
[This is a separate and different title from the blog title.]

Colorful Judy

The Creature


Ron Southern,
Chigger, Texas, USA

Personal Labels:

Clean and easy-going. Dirty-minded, paranoic, catatonic, droll, drastic, dramatic, savage, uptight, dribbling, abstruse, and timid.

Not to even mention artful, artistic, abusive, misleading, abrasive, manipulative, dodgy, sneaky, and totally unforgiving!

How about poetic, pansified, petty, pornographic, always preening, and a little peculiar about what feels good!

The Poem With The Similar Title

©Ronald C. Southern

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