Sunday, November 18, 2007

BEAUTIFUL DIANA

You could make yourself cry about anything, I guess,
The more that time and circumstance progress—
I mean myself, not you.
Still, why should I be sad tonight?
These thirty years later,
I’m sure you would be vividly alive
If only, Death be damned, you were alive
And not the dead who failed to navigate
That icy northern street, Diana, where you bled
And we didn’t know to cry. It’s so long ago.

You were my high-school girlfriend’s best friend since youth
And later her giddy college roommate—
Just two more headlong girls their first fast year away from home.
You looked straight through me when I advised you all
To close your bedroom blinds, even on the second floor,
When you undressed at night.
“No one below can see!” you laughed, squinting out at me through
Granny glasses that almost hid your wild unwary eyes.

No one took my advice back then and not much more
Of it in all the time and distance traveled since.
I dated you once, a silly date where nothing happened
Except in me: a tight-wound soaring and a sigh
That made no outward mark or sound—
We never even kissed.
Later, my girlfriend—your girlfriend!—made up with me and it
Was then a great relief all round, that unaccomplished kiss!

We were friends after that—not the best of friends, perhaps,
But now and then, far and near, still friends.
Once, when I took some psychedelic drug, I thought
You were a witch or at least that you looked the part!
I didn’t mean to let it show, but still I was unnerved.
“We all have some form of discomfort with reality,”
My girlfriend Jeanne consoled (and passed another funny cigarette),
"For whether we get High or Low, it peeks back in at us!”


Once when I hadn’t seen you for six months or so
And I arrived full-force in my new long-haired guise
Of hungry, proud, and poor,
You served a generous supper and shook with laughter till midnight,
Especially when you’d found I’d taken up
That silly sixties hippie habit
Of blurting out, “Far out!”
Multiple times in a single conversation.

Perhaps because I said it with my familiar tone of flippancy,
You chose to find my idiocy delightful to the Nth degree
And your fresh freckled face—those contradictory features,
A schoolgirl’s upturned nose, an old-maid teacher’s pursed-up mouth—
Became as vivid as your long red hair!
At last you had to take your glasses off to wipe your eyes
And I thought, just in that moment, I’d never seen before
A woman wearing or needing so little makeup.
It was such Beauty!

But that moment, like the others, soon was lost.
Such beauty passed, yet I survived
To be this wretched, bowed, and crooked self.
Time now makes all these views of you seem true at once—
Except your death.
Can there be no relief at all for those of us not yet released?
Jeanne said she waited for that spectral visit
You promised each other in seventh grade, but the messages
That came to her only came in dreams and to me not at all…
Why is there not some way to recall You instead of memory?
Christ, how I’d love to see you vivid once again!

I was sick of you when you died, hating you almost
For dating that Delaware con-man
Who spoke such manly gibberish.
Was that Engineering-Speak or Business Ghoul
Or just plain Northern Geek?
It’s funny that I don’t remember any more than that,
That his was not the language of Romance that you deserved.


Poor old Romance! It’s suffered so
These thirty years run by
With nothing left now I adore.
It’s disappeared into thin air
Like some bad joke,
Like all those coffin nails and joints we smoked,
Like my old youthful certainties,
Like these new tears for you will do…

You deserved better than this weakness you would have found in me,
But better too than that insensate educated fool you wed,
And certainly better than this hard-closed door
That you stepped through too soon,
That even I at last deplored…
That closure’s lasted now so long that I’ve been ashamed of my anger
Longer than I was angry, longer than I loved you—
God, longer now than you were alive!

Now that’s a knot in time
(Or is it in my stomach or in my head?)
I may never manage to untie.
But why should I be sad tonight?
All Time’s the same to you, dear ghost; it’s always kind—

But just as Jeanne and Adam’s now-grown children
Or my gray-peppered beard give proof I’m growing old,
So your remembered youth and beauty make me feel vain and false tonight,
Here where my moment’s joy and love and beauty have long been lost.


rcs.

9th draft: 11/18/07
©2000 Ronald C. Southern


Thursday, April 26, 2007

The Rueful Heart

You can grope all night for the one true rose
or swoon alone for free without embrace—
what moves the heart to heartbreak
will always make the petals close.

You can flee, you can hide between the beats of heartbeat,
you can turn bright eyes aside from love's dark fate—
but what can move the rueful heart
When you neither love nor hate?

Who can you trust, which way turn, when
dreams like dizzy rockets cross and crash,
flinging you down to earth so stark
amid a churn of char and spark?

(What turned lightning's stroke
to pale blue smoke at dusk
may yet turn love to dust
that blows away and leaves an empty husk.)

Here now you see how rivers
running fast and slow divert and dry.
Hear now these lovers running down cry "Time!"
when shadows veined with red run wild and stain the eye.
What For, they cry, this flash
and spark and manly flutter?
For What this smooth and supple
marbled flesh of womankind?

The old, the young: embrace, disclose;
desire the flesh, the flame, the rose;
Your dreams, your flesh: aspire, perspire—
but every year it takes more pain to reach the fire.

What then? What's wrong? If time
that held your heart enthralled so long
holds no hope but this at last,
this vexing gall at all that's past,

if waste that chewed itself to numbness
lives but to taste this morbid tongue again,
if haste that chased it's tail to madness
now flings and flays and flails itself again,

then hearts that rue such motion
Here now must still these throes.
Now lovers running down cry, "Time!"
Which only makes the petals close.


rcs.

4th draft: 12/06/03
©1986 Ronald C. Southern

Tuesday, April 10, 2007

Mary's Child

There must have been
Some days when she forgot,
When the child was only a child—
Not that epiphanal flash sprung forth
Like an arrow from the bow of God,
But only a plodding child
With an affinity for dirt.

She must have stood
Some days in the doorway
Concerned with his mortal hurts,
Watching with a mother's eye
As his naked feet went pounding,
Sounding with a child's quick beat,
Through hard and narrow earthbound streets.

There must have been
Those days when she forgot,
But soon she would remember
And know it every day
That each passing day he became
More and more like an arrow
Returning to the heart of God.

rcs.

4th draft: 08/12/01
©1980 Ronald C. Southern

Sunday, April 08, 2007

I Might Like

"I might like all of my lovers to come back for a visit,
I've always thought that would be a lot of fun.
Still, I might be mistaken--I sure wouldn't
Want them all to get together for a chat."

rcs.
2nd draft: 04/08/07
©2005 Ronald C. Southern

Tuesday, March 20, 2007

Ardebil 1828

"They've got a fine library in Ardebil, I am told,"
Grinned the portly Russian prince, taking another pinch of snuff.
He was sitting slouched and florid
In his silver-handled carriage outside the city walls.

"There's swarthy throats to cut in there,"
He said gruffly, studying his well-groomed fingernails,
"And bright gold coins to liberate from greasy hands
And swarms of pear-shaped Persian virgins you can spear!"

"They've got everything it takes to satisfy our needs!"
Smirked his officers, nodding their agreement.
"There's plenty for the kind of man who risks his life
For blood and bloody gold and bleeding frizzy-headed foreign sluts
Plus bounty for the kind old men who let us die for what they want.
We're glad to rape and loot, but they can shove those foreign books!"

"If all goes well, which so far it has not, my murdered child,"
Wept a poet of Iran at his daughter's muddy unmarked grave,
"Maybe those learned books they stole will make them wise at last
Or else they'll hesitate, perhaps be reaching up for one when
The next band of armored monkeys fling down feces from the trees!
Then all those sorry Russian throats and nuts will be uncouthly cut!"

"That's what we have to look forward to,"
Sighed the crimson-faced historian
As he closed the green morocco book.
"Someone always yearns to kill you just to prove
That he can be more civilized than you!"

"When the final monkey gets here, Father,"
Gaily mocked the surly scholar's open-hearted daughter,
"And if he doesn't wipe out the whole wide universe at once,
Will we then have peace at last?
And will we send back all these books?"

rcs.

Current draft: 03/20/07
©2000 Ronald C. Southern

Thursday, February 22, 2007

Albatross

“You do not suffer close enough,” is what the distant voices said,
“and all your talk of this and more is becoming less and less.
Self-centered though we are at heart, survivors of war and peace,
small shrewdness is required to know the next victim of the feast.

“If you were here or we were there,
your suffering would impact us more, of course,
but that is neither here nor there.
You live at distances both real and surreal--willfully
disconnected, disastrously alone, tragically but safely apart.

“You must, we fear, suffer more or less as we do
or as others who are near and nearer to our hearts.
Justice demands that recognition, yes, but little more,
and less and less of that as these frayed threads
of time and separation gather toward an end.
That some break and others bend seems to surprise you even yet.

“So is that sad? Oh, yes, what else?
We sit in carefully bordered rooms each evening,
pining for what is lost in you and in ourselves,
pitying our surrender to surfeit or starvation,
nestled in exclusive harbors, where some ships leave and some arrive,
in sporadic dread of who goes next. No one wins, but some survive.

“We know you do not suffer gladly
the fools we are and must be to succeed,
but that's the levy, old mariner, of failures of your own,
divergent from ours, not worse perhaps, but dour freight,
resembling more an anchor than anything that floats.

“And you, at your safe distance,
press clamorously a slow cold measure of protest
against the hammer's heated claims upon your heart,
that pulsation of anger, compulsion, and frustration,
a churning churlish stain which makes uncertain
whether you or those you buffet will be next.

Ancient Mariner and wedding guest


“You are one of us still, we know, but what we know
to love in you seems always masked behind that manic stance.
Your decades-long dance of desperation, old mariner,
by now elicits small panic in these ageing wedding guests.

“And is that sad? Well, yes, close enough, but still
you must desist this remorseless clanging in our ears.
We feel as much, if not the same, as you,
marking boundaries as you do, pursuant to our pain.”

rcs.
4th draft: 08/09/01
©1995 Ronald C. Southern

Wednesday, February 14, 2007

Texas Crude (Fischer's Tune)

He went away on a ship a long time ago,
Slipping away quietly out of the noisy harbor,
Sailing with regrets-to-come and no-fanfare
Out of the inland port.

The city behind him disappeared in haze
As the ship moved slowly through the channel to the sea,
And the last things that he saw, perhaps were the tall black
Towers and the storage tanks choked with Texas crude.

We said goodbye,
We said farewell,
And being young we could not know
The changeful nature of all we felt and said.

He sailed back home to Germany
And for a while we wrote, exchanging views
Of Zappa, Beatles, books, and style.
But soon we ceased; we were young, and cold, and true,
And never knew the changeful nature of such views.

"Well, damn him," I thought,
"If he can't write back!"
And at the other end?
Who knows,
Perhaps he thought the same?

He went away on a ship,
Sailing home to a life of his own,
And nature took her own course
And kept us well apart.

I left home shortly after,
In search of a life of my own;
Ten years' time took me everywhere
That I could think to go,
Then brought me here—back home again—
Where, like some better poet said, I finally had to go.

So here I am in port again near the channel to the sea,
And I sometimes see a ship sail past the towers
And the tanks, and I wonder what it's like to see
The last, the very last, of all this Texas crude.



rcs.

5th draft: 02/14/07
©1980 Ronald C. Southern